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So, Suede returned to the big time, selling out the Royal Albert Hall. Mat had got me a photopass; I was never the world's biggest fan but to see them all up stage and loving it was great. I got a few ok pictures.
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Aw, Mat.
In other exciting news, the ICA got themselves out of the mire long enough to put the best night on I've been to for a while. Luckily for me, they hired me to take pictures of the whole day; it was an event based around the work and thoughts of Cosey Fanni Tutti; in the daytime was Cosey Club, a series of talks, lectures, presentations and performances inspired by her.
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In the evening at Cosey Club there were bands and DJs; Eve Black/Eve White, Fixmer/McCarthy, Richard Clouston and Andrew Wetherall.
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However, though they weren't headlining, the real greatness of the night was to see Factory Floor play again. They're nice people, always put on a good show, and I'm always happy with the pictures I get.
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I had a good time, thought the clocks went forward and I found myself flagging a bit towards the end. Elsewhen, I've shot two reasonable portraits for Le Cool this week. First up, Phil Wood who runs the Roxy Bar and Screen in Borough.
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Later that day, Sebastian Horsley, an artist and general gadabout, who was quite fun to take pictures of.
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Aside from these things, the most exciting thing to happen this week was to receive an initial email from Tate Modern about possibly taking some pictures there as their in-house performance photographer; it would be big news for me, but after the initial excitement has worn down, memories of other greatnesses that never quite happen surfaced; perhaps it would be interesting to someone to see how these things work, in terms of getting work, so I'll chart the progress as it happens.
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